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What is a Reeths-Puffer? by Matthew J. Nolan,
Alumni, Class of 1999
When the 1980's ended, so did an era in Reeths-Puffer
Marching Band history. The band's sole purpose until
this point had been to entertain at football games,
using traditional methods such as forming blocks, the
RP, playing the fight song, etc. Charles A. Hodson was
hired in for the 1990 season, however, and with him a
new attitude came to the program. With their James Bond
theme, the band moved and played at the same time for
the first time, stunning the crowd. In 1991, they turned
competitive.
The band performed the Wizard of Oz, and at their first
ever MCBA competition, the flight III state finals, the
band captured first place in prelims, and second place
in finals.
Murmurs could be heard throughout the crowd..."Who is
Reeths-Puffer?" or "WHAT is a Reeths-Puffer?" People
wouldn't be asking those questions for long.
In 1992 the band performed a show comprised of Duke
Ellington music, and again took second place at the MCBA
finals. In 1993, perhaps one of Reeths-Puffer's cleanest
visual shows was put on the field, and another second
place finish ensued. The band marched ninth graders for
the first time in 1994, and with 120 rookies in a 160
member band, gained recognition by capturing the
Michigan Competing Bands Association Flight II state
title. The band also traveled to the Bands of America
Midwestern Regional in Toledo, OH for the first time in
1994, and placed 8th in the finals.
1995 brought a very controversial show to the 204
member marching band. The band depicted World War II,
dedicating the show to the veterans of the war. School
officials believed the swastikas used to represent the
Nazi invasion of Europe was not appropriate, so the band
marched without them for football games. With a
patriotic Star Spangled Banner to end the show, many
tears and emotions were brought out by this universal
crowd favorite show. The band marched off the field at
the Pontiac Silverdome to a thunderous standing crowd,
and took third place at the MCBA finals.
Another 8th place finish at the Toledo competition
was also recorded. In 1996 the band got out of uniform
and performed "The Thriller Zone," a show complete with
face paint, tombstone props, and Michael Jackson's
Thriller Dance. By this point, the band had established
themselves as crowd favorites around the state, with
people driving to competitions just to "see what
Puffer's going to do this year." The band missed winning
the Toledo Class AA championship because of penalty
points, and had a disappointing 5th place finish at the
MCBA finals. Despite these setbacks, however, RP
traveled to the Bands of America National Finals for the
first time, made Semi-Finals, and finished 20th in the
country. Perhaps some sweet irony, the band that won the
1996 MCBA Flight II state championship didn't even make
Semi's.
There was a general tone within the band from the
beginning of the 1997 season until its finish...this
would be the breakthrough year. Performing "How the West
was Fun" with music from Aaron Copland, the band hit the
Toledo Competition in full force. They captured 4th
place overall, scored the top AA score in the finals,
and established themselves firmly as "belonging with the
big dogs." The band was neck and neck with the Mona
Shores band from across town all season, each scoring
higher at their own competition, with Puffer pulling out
Toledo and the next few shows. The week before the state
finals, at Jenison, RP took the music, visual, and
colorguard captions, yet Shores captured the show. When
the scores were announced at the Silverdome,
Reeths-Puffer had scored their highest score ever in
MCBA competition, a 91.1, and captured the state title.
At the Grand Nationals, Puffer took 19th overall in
Semifinals and 3rd in class AA, edging out Shores by a
slim .05 margin.
In 1998 the band diminished severely in size (138
members), but none in accomplishment. Performing "Jekyll
& Hyde: The Show" the band captured nearly every trophy
at every MCBA competition they attended in Michigan. A
4th place overall and 1st place Class AA at the
Midwestern Regional put them ahead of the defending
Grand National Champion Marion Catholic and into the
pack of national caliber bands. The band culminated the
season by defending their state title in Flight II by a
3.75 point margin over second place Novi, and taking top
honors in every caption but best marching.
Only 8 years into competition, the band has
established themselves as one of the best in the
Midwest, if not the nation. With numerous grand champion
show titles, three state championships in five years,
and a third place finish in class at the National
finals, not many ask "What's a Reeths-Puffer?" any more.
With a dynasty on the line, the only question
surrounding the RP marching band is "How much better can
we get?"
- Matthew J. Nolan, Alumni, Class of 1999, Trombone
player and Drum Major
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RP DRUM MAJORS
Jim Morse, 1966-69
Dave Collee, 1970-71
Dale Nesbary, 1971-73
Rick Morse, 1972-75
Roger Sherburn, 1977
Mike DeBor, 1978-79
Andrew Rogers, 1981-82
Jean-Paul Vivian 1988
Heather Kane 1988-89
Angela Hoppa, 1990
Melissa Betz, 1990-91
Jayson Dibble, 1991-92
Kara McCrimmon, 1992-93
Erin Somers, 1992-93
Jamie Decker, 1993-94
Amy Klug, 1994
Brianna Ackerman, 1995-96
Beth Cardinal, 1995-96
Rocky Martinez, 1995-97
Paul Hardie, 1997
Matt Nolan, 1997-98
Mat Zulauf, 1998
Lisa Reed, 1998-99
Jessa Glick, 1999
Stacy Brinegar, 1999-00
Jackie Shilling, 2000
Jenny Obenauf, 2000-01
Adam Carlson, 2001
Kim Nelski, 2001
Jessica Koch, 2002-03
Kasey Weisner, 2002-03
Nicole Hegedus, 2002-03
Amanda Carr, 2004
Mallory Crouch, 2004
Scott Ryder 2004-05
[If you were a drum major or know one who isn't listed
let me know]
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